![]() I ‘graduated’ from MFT to Full Frame a few years ago but even allowing for the learning curve inherent in the move, my Full Frame images were never as creative or eye-catching as my best MFT efforts. With a full-frame photo count exceeding 30,000 – I still believe this to be the case today. ![]() Full Frame fatigueĪs a self-proclaimed full-frame fanboy, I believe full-frame cameras to be the perfect blend of high-image quality and performance. But today, Micro Four Third’s computational photography features are second only to smartphones. However, only in 2022, six years after Micro Four Thirds, did a Full Frame camera, the Nikon Z9, gain an equivalent to Olympus’s ProCapture.Īnd there is a reason for this, Full-Frame sensors are too slow for computational photography, except for the stacked sensors within the Nikon Z9, Sony A1, and Canon R3. One might argue that Full-Frame cameras will also gain these modes at some point. All of this helps to close the gap between, and sometimes exceed, the capabilities of Full Frame Cameras. In addition to ProCapture, Micro Four Thirds cameras feature computational tricks such as handheld multi-shot high-resolution modes, digital ND effects, live composite, HDR, and in-camera focus stacking. A great example is Olympus’s ProCapture mode which, released in 2016, continually buffers shots to help you catch the moment just before you press your shutter release. Micro Four Thirds cameras have long embraced computational photography. And in a bad light, it’s also great thanks to Micro Four Thirds’ stunning image stabilization system. ![]() Sure, it’s not a performance lens, but in good light, it hardly matters. And if you want to travel light, Micro Four Thirds has lenses such as the tiny Olympus 14-150mm F4-5.6 with its 28-300mm Full-Frame equivalent focal range.
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